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Mañana Mañana

Two rosettes are projected in a space, over a square pyramid shaped ceiling. The rosettes were filmed out of ancient musical instruments; an Oud and a 7-course Lute. Both instruments descended from a common ancestor via diverging paths. The instruments were playing variations of a single melodic theme called “La Mañana de San Juan”. The rosettes function as a singular source of light and sound within the space. ‘Mañana Mañana’ introduces an inherent relationship between light and sound and defines the space as a sound board and a platform for a unique audio-visual occurrence.

Musical production: Omer Schonberger / Lute: Eliav Lavi / Oud: Marina Tosich / Additional recordings: Ofer Tisser. Cinematography: Nadav Porat-Chomsky /Grip: Johny Zlobin.

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